1
00:00:07,208 --> 00:00:09,841
OH, HI THERE, FRIGHT FIENDS.

2
00:00:09,910 --> 00:00:13,312
HOW DO YOU LIKE MY
RANCID RENDERING?

3
00:00:13,380 --> 00:00:15,380
NOT BAD FOR AN AMATEUR.

4
00:00:15,449 --> 00:00:17,394
HOPEFULLY, IT'LL
GIVE YOU AN INKLING

5
00:00:17,418 --> 00:00:20,686
OF WHAT TONIGHT'S
FUNGUSY PHOTOPLAY IS ABOUT,

6
00:00:20,754 --> 00:00:23,555
BECAUSE LONG BEFORE MY
EERIE OFFERINGS APPEARED

7
00:00:23,624 --> 00:00:25,457
ON YOUR SILVER SCREEN,

8
00:00:25,526 --> 00:00:27,192
THEY WERE A MAGAZINE CALLED...

9
00:00:27,261 --> 00:00:28,660
GET A LOAD OF THIS...

10
00:00:28,729 --> 00:00:31,330
<i>TALES FROM THE CRYPT.</i>

11
00:00:31,398 --> 00:00:34,766
TONIGHT, LET'S TAKE A
BEHIND-THE-SCREAMS LOOK

12
00:00:34,835 --> 00:00:37,285
AT A STRUGGLING
ARTIST NAMED JIM KORMAN

13
00:00:37,354 --> 00:00:42,491
WHO ONE DAY GOT A LITTLE
TOO DRAWN INTO HIS WORK.

14
00:00:53,904 --> 00:01:00,174
♪ OOH, OOH ♪

15
00:01:00,243 --> 00:01:05,714
♪ OOH ♪

16
00:01:05,782 --> 00:01:07,816
♪ EACH DAY THROUGH MY WINDOW ♪

17
00:01:07,885 --> 00:01:13,788
♪ I WATCH HER AS SHE PASSES BY ♪

18
00:01:15,926 --> 00:01:18,326
♪ I SAY TO MYSELF ♪

19
00:01:18,395 --> 00:01:24,599
♪ YOU'RE SUCH A LUCKY GUY ♪

20
00:01:27,170 --> 00:01:30,605
♪ TO HAVE A GIRL LIKE HER ♪

21
00:01:30,674 --> 00:01:36,144
♪ IS TRULY A DREAM COME TRUE ♪

22
00:01:36,212 --> 00:01:41,416
♪ OUT OF ALL THE
FELLAS IN THE WORLD ♪

23
00:01:41,484 --> 00:01:46,688
♪ SHE BELONGS TO YOU ♪

24
00:01:46,757 --> 00:01:50,224
♪ BUT IT WAS JUST
MY IMAGINATION ♪

25
00:01:53,030 --> 00:01:54,963
♪ RUNNIN' AWAY WITH ME ♪

26
00:01:57,034 --> 00:02:02,136
♪ IT WAS JUST MY IMAGINATION ♪

27
00:02:02,205 --> 00:02:04,706
♪ RUNNIN' AWAY WITH ME ♪

28
00:02:05,943 --> 00:02:07,208
Man: SAME TO YOU, RUDY.

29
00:02:07,277 --> 00:02:08,810
JIM, HOW ARE YOU DOING

30
00:02:08,879 --> 00:02:10,623
ON<i> CORPSE-EATERS FROM PLUTO?</i>

31
00:02:10,647 --> 00:02:12,124
TICK, TICK, TICK,
TICK, TICK, TICK.

32
00:02:12,148 --> 00:02:14,027
AREN'T YOU DONE YET, KORMAN?

33
00:02:14,051 --> 00:02:15,361
I FIGURED YOU'D BE
HALFWAY THROUGH

34
00:02:15,385 --> 00:02:16,796
THE DISEMBOWELMENT BY NOW.

35
00:02:16,820 --> 00:02:19,520
HEY, BOB, I GOT
ANOTHER STORY IDEA.

36
00:02:19,590 --> 00:02:21,756
THE OWNER OF A
MINIATURE GOLF COURSE

37
00:02:21,825 --> 00:02:24,025
KILLS HIS WIFE, PROPS
HER MOUTH OPEN,

38
00:02:24,094 --> 00:02:25,560
AND USES HER FOR THE 16th HOLE.

39
00:02:25,629 --> 00:02:27,040
BETTER STILL, SOME
LITTLE OLD LADY

40
00:02:27,064 --> 00:02:27,996
IS CLEANING OUT HER REFRIGERATOR

41
00:02:28,065 --> 00:02:29,475
AND COMES ACROSS HER
LONG-DEAD BOYFRIEND.

42
00:02:29,499 --> 00:02:31,800
A DOCTOR HAS TO TAKE
OUT HIS OWN APPENDIX!

43
00:02:31,868 --> 00:02:33,212
A BUTCHER'S GOTTA
EAT HIS OWN SHORT RIBS.

44
00:02:33,236 --> 00:02:35,403
GIVE IT A REST, WILL YOU GUYS?

45
00:02:35,472 --> 00:02:37,405
I'M TRYING TO CONCENTRATE.

46
00:02:37,474 --> 00:02:39,485
DO IT ON YOUR OWN TIME. WE
HAVE A MAGAZINE TO PUT OUT HERE.

47
00:02:39,509 --> 00:02:41,621
WHAT'S SO HARD ABOUT DRAWING
CORPSE-EATERS, ANYHOW?

48
00:02:41,645 --> 00:02:43,122
I DON'T KNOW. THERE'S
SOMETHING TRICKY ABOUT THIS.

49
00:02:43,146 --> 00:02:44,586
I CAN'T SEEM TO GET IT RIGHT.

50
00:02:46,734 --> 00:02:48,200
OH, NO.

51
00:02:51,238 --> 00:02:52,571
IS THAT MY PHONE?

52
00:02:52,640 --> 00:02:53,672
THAT'S MY PHONE.

53
00:03:12,926 --> 00:03:14,692
HI, HONEY.

54
00:03:14,761 --> 00:03:17,896
DON'T "HI, HONEY" ME, YOU
POMPOUS JACKASS, THIS IS SATURDAY.

55
00:03:17,965 --> 00:03:19,209
WHEN DO YOU PLAN ON COMING HOME?

56
00:03:19,233 --> 00:03:21,833
I'VE GOT TO FINISH THIS EDITION.

57
00:03:21,902 --> 00:03:26,455
BULL SNOT! YOU CAN'T FOOL
ME, MR. WEEKEND WORKAHOLIC.

58
00:03:26,523 --> 00:03:28,756
YOU GOT A BLONDE BIMBO
STASHED AWAY SOMEPLACE,

59
00:03:28,825 --> 00:03:31,994
AND WHEN I FIND HER, I'M GONNA RIP
HER CUTE LITTLE POWDERED FACE OFF.

60
00:03:32,062 --> 00:03:35,447
IT'S NOT ENOUGH THAT YOU GOTTA
DRAW THESE DUMB CARTOONS

61
00:03:35,515 --> 00:03:37,215
INSTEAD OF GETTING A REAL JOB,

62
00:03:37,284 --> 00:03:39,550
BUT YOU CAN'T EVEN KEEP
YOUR PAWS OFF THE SECRETARIES

63
00:03:39,619 --> 00:03:41,619
IN THIS GODDAMNED OFFICE!

64
00:03:41,688 --> 00:03:44,889
HONEY, THE SECRETARIES
ARE OFF TODAY.

65
00:03:44,958 --> 00:03:48,009
I SHOULD HAVE KNOWN WHAT A
DISASTER THIS MARRIAGE WOULD BE.

66
00:03:48,078 --> 00:03:51,612
TO THINK I GAVE THE
BEST YEARS OF MY LIFE,

67
00:03:51,682 --> 00:03:52,981
AND FOR WHAT?

68
00:03:53,050 --> 00:03:55,850
A STINGY, TWO-TIMING LOSER.

69
00:03:55,919 --> 00:04:00,205
YOU CAN'T EVEN GIVE ME CHILDREN.

70
00:04:00,274 --> 00:04:01,840
YOU LITTLE WIMP!

71
00:04:01,908 --> 00:04:03,336
THE DOCTOR SAYS THAT CAN BE

72
00:04:03,360 --> 00:04:04,520
EITHER ONE OF US.

73
00:04:10,584 --> 00:04:12,784
I'M TAKING THE PILLS.

74
00:04:12,852 --> 00:04:14,402
YOU MEAN THESE PILLS?

75
00:04:14,471 --> 00:04:18,390
POTENCY PLUS, THE MALE
ANSWER TO INFERTILITY?

76
00:04:18,459 --> 00:04:21,287
Do we have to
talk about this now?

77
00:04:21,311 --> 00:04:23,528
YOU FORGOT TO TAKE YOUR
PILL THIS MORNING, LOVE NUTS.

78
00:04:23,596 --> 00:04:26,697
WHEN I COUNTED THEM,
THERE WAS 24 INSTEAD OF 23.

79
00:04:26,766 --> 00:04:27,698
YOU COUNTED THE PILLS?

80
00:04:27,767 --> 00:04:29,066
DAMN RIGHT.

81
00:04:29,135 --> 00:04:30,797
YOU WANT TO KICK-START
MILDRED JUNIOR HERE,

82
00:04:30,821 --> 00:04:32,870
YOU HAVE TO TAKE A PILL
EVERY SINGLE MORNING.

83
00:04:32,939 --> 00:04:34,823
THESE ARE EXPERIMENTAL.

84
00:04:34,892 --> 00:04:37,258
THEY HAVEN'T BEEN
APPROVED BY THE FDA.

85
00:04:37,327 --> 00:04:39,138
I DON'T KNOW ABOUT
THE SIDE EFFECTS.

86
00:04:39,162 --> 00:04:41,129
WHAT SIDE EFFECTS?

87
00:04:41,197 --> 00:04:45,717
IT'S LIKE IT'S MAKING
MY IMAGINATION FERTILE.

88
00:04:45,786 --> 00:04:49,321
I THINK IT'S AFFECTING MY BRAIN.

89
00:04:49,389 --> 00:04:50,555
GOOD.

90
00:04:50,624 --> 00:04:52,640
MAYBE YOU'LL DO A DECENT
DAY'S WORK FOR A CHANGE.

91
00:05:01,385 --> 00:05:03,785
MAYBE YOU NEED A NEW HUSBAND.

92
00:05:05,655 --> 00:05:07,455
YOU'D LIKE THAT, WOULDN'T YOU?

93
00:05:07,524 --> 00:05:10,325
GIVE YOU A CHANCE TO PROD

94
00:05:10,393 --> 00:05:12,728
SOME LITTLE CUTIE
FROM THE TYPING POOL.

95
00:05:12,796 --> 00:05:14,863
WELL, FORGET IT, JIMBO.

96
00:05:14,932 --> 00:05:18,332
YOU'RE STUCK WITH ME...

97
00:05:18,401 --> 00:05:21,520
TILL DEATH DO US PART.

98
00:05:43,093 --> 00:05:45,544
What a monster.

99
00:07:33,320 --> 00:07:34,769
DAMN IT.

100
00:07:43,563 --> 00:07:45,230
JESUS!

101
00:07:45,299 --> 00:07:47,310
DID I SCARE YOU, LADY?

102
00:07:47,334 --> 00:07:49,400
DO YOU WORK HERE?

103
00:07:49,469 --> 00:07:50,418
NO, MA'AM.

104
00:07:50,486 --> 00:07:53,221
I JUST HAPPENED ON BY.

105
00:07:53,290 --> 00:07:55,156
LISTEN, COULD YOU
TAKE A LOOK IN THE BACK?

106
00:07:55,225 --> 00:07:57,108
MAYBE IT'S A BLOWN
FUSE OR SOMETHING.

107
00:07:57,177 --> 00:07:58,610
NO USE, MA'AM.

108
00:07:58,679 --> 00:08:00,406
THE WHOLE BOX IS SHORTED OUT.

109
00:08:00,430 --> 00:08:01,763
YOU ALREADY LOOKED?

110
00:08:01,831 --> 00:08:02,831
LOOKED?

111
00:08:02,899 --> 00:08:03,831
HELL, I DID IT.

112
00:08:03,900 --> 00:08:05,661
DON'T LIKE IT AS MUCH

113
00:08:05,685 --> 00:08:07,845
WHEN THE LIGHTS ARE ON.

114
00:08:09,739 --> 00:08:11,940
ARE YOU GOING TO HURT ME?

115
00:08:12,009 --> 00:08:14,290
YES, MA'AM. I'M AFRAID SO.

116
00:08:24,187 --> 00:08:26,054
NOW, LOOK, UH...

117
00:08:26,122 --> 00:08:28,689
YOU'RE MAKING A BIG
MISTAKE HERE, PAL.

118
00:08:28,758 --> 00:08:30,925
OH? WHY'S THAT?

119
00:08:30,994 --> 00:08:34,362
BECAUSE... I'M A COP.

120
00:08:36,033 --> 00:08:37,210
WHERE'D YOU GET THAT,

121
00:08:37,234 --> 00:08:38,434
AT THE DIME STORE?

122
00:08:49,562 --> 00:08:50,962
OW.

123
00:08:51,031 --> 00:08:55,400
THAT BRUCE LEE SHIT IS
GONNA COST YOU, BABE.

124
00:09:02,025 --> 00:09:04,509
LAUNDRY'S DONE.

125
00:09:07,380 --> 00:09:10,448
OH, MY GOD. BEHIND YOU.

126
00:09:10,517 --> 00:09:13,112
LADY, IF YOU THINK I'M
GOING TO FALL FOR THAT...

127
00:09:13,136 --> 00:09:14,602
NO.

128
00:09:14,670 --> 00:09:17,272
THAT'S THE OLDEST
TRICK IN THE BOOK.

129
00:09:17,340 --> 00:09:19,073
AAH! AAH!

130
00:09:43,066 --> 00:09:45,144
Man: YEAH, THAT'S
RIGHT UP YOUR ALLEY.

131
00:09:45,168 --> 00:09:46,261
Second Man: YOU GOT EVERYTHING?

132
00:09:46,285 --> 00:09:48,063
YEAH, YEAH. THE
HEAD'S IN THE BAG.

133
00:09:48,087 --> 00:09:49,287
OK, LET'S GET HIM OUT OF HERE.

134
00:09:49,356 --> 00:09:50,588
ALL RIGHT. READY?

135
00:09:50,657 --> 00:09:51,589
WHAT ABOUT LUNCH?

136
00:09:51,658 --> 00:09:52,835
COME ON, WATCH YOUR BACK.

137
00:09:52,859 --> 00:09:55,259
YEAH. OK. COMING THROUGH.

138
00:09:57,564 --> 00:09:59,664
JESUS, I DON'T KNOW WHAT IT IS.

139
00:09:59,733 --> 00:10:01,632
LET ME GET THIS STRAIGHT.

140
00:10:01,701 --> 00:10:04,569
A MONSTER EMERGED
FROM THE WASHING MACHINE

141
00:10:04,637 --> 00:10:06,937
AND GOBBLED UP THE ASSAILANT.

142
00:10:07,006 --> 00:10:08,206
THAT'S RIGHT, SIR.

143
00:10:08,241 --> 00:10:10,941
AND YOU LEFT THE PREMISES
AFTER IT SPAT THE HEAD OUT.

144
00:10:11,010 --> 00:10:12,020
WELL, ACTUALLY...

145
00:10:12,044 --> 00:10:14,679
HEY, YOU BETTER
HAVE THAT UNIFORM

146
00:10:14,748 --> 00:10:16,308
CLEANED AND PRESSED
BY TOMORROW MORNING.

147
00:10:16,349 --> 00:10:18,683
THE CAPTAIN WILL WANT
TO HAVE A WORD WITH YOU.

148
00:10:18,752 --> 00:10:21,836
I AM A COP, PHIL.

149
00:10:21,904 --> 00:10:23,438
I DON'T DRINK OFF DUTY,

150
00:10:23,506 --> 00:10:26,024
AND I DON'T MAKE
UP CRAZY STORIES!

151
00:10:26,093 --> 00:10:29,159
NEITHER DID THE MAN WHO SAW
A 2-HEADED OGRE LAST WEEK,

152
00:10:29,228 --> 00:10:32,079
OR THE HOUSEWIFE WHO FOUND
A DINOSAUR IN HER VOLKSWAGEN.

153
00:10:32,148 --> 00:10:36,600
THIS WAS REAL, PHIL. HONEST!

154
00:10:36,669 --> 00:10:38,519
HAVE IT YOUR WAY,

155
00:10:38,588 --> 00:10:41,856
BUT IF THERE WAS A MONSTER,

156
00:10:41,925 --> 00:10:43,992
I'VE GOT ONE THING
TO SAY ABOUT IT.

157
00:10:44,061 --> 00:10:47,829
HE'S GOT ONE HELL
OF AN OVERBITE.

158
00:10:53,236 --> 00:10:54,703
HEY, HARRIS.

159
00:10:54,771 --> 00:10:56,470
HI, LORELEI.

160
00:11:02,362 --> 00:11:04,362
A MONSTER WITH AN OVERBITE.

161
00:11:09,419 --> 00:11:12,253
A 2-HEADED OGRE...

162
00:11:12,322 --> 00:11:14,622
AND A DINOSAUR IN A VOLKSWAGEN.

163
00:11:20,080 --> 00:11:21,529
JIM KORMAN.

164
00:11:23,716 --> 00:11:25,916
HEY, YOU GOING TO PAY FOR THOSE?

165
00:11:27,053 --> 00:11:31,655
I GOT IT. I GOT IT. SO WE'LL DO A
STORY ABOUT A RABID DOG, SEE,

166
00:11:31,724 --> 00:11:33,891
BUT FROM THE
DOG'S POINT OF VIEW,

167
00:11:33,960 --> 00:11:35,559
WITH FOAM DRIBBLING
AROUND THE MARGINS.

168
00:11:35,628 --> 00:11:37,108
AND LITTLE FLEAS
JUMPING OFF THE PAGE.

169
00:11:38,898 --> 00:11:40,731
UGH.

170
00:11:43,002 --> 00:11:46,037
<i>TALES FROM THE
CRYPT.</i> JIM KORMAN.

171
00:11:46,105 --> 00:11:47,738
HI, HONEY.

172
00:11:47,807 --> 00:11:49,957
UH, YEAH, I'M STILL WORKING.

173
00:11:50,026 --> 00:11:54,278
YES, YES, I TOOK THE PILL.

174
00:11:54,347 --> 00:12:01,836
UH, NO, THE SECRETARIES
HAVE ALL GONE HOME.

175
00:12:01,905 --> 00:12:06,674
HONEY, YOU KNOW I
WOULDN'T DO THAT.

176
00:12:06,743 --> 00:12:09,410
NO, HONEY.

177
00:12:09,479 --> 00:12:11,011
NO.

178
00:12:15,251 --> 00:12:17,552
HONEY, HONEY, WOULD
YOU GIVE ME A BREAK?

179
00:12:17,620 --> 00:12:19,987
Mildred: GIVE YOU A BREAK?
I'LL GIVE YOU A BREAK!

180
00:12:20,056 --> 00:12:21,634
I'LL BREAK YOUR NECK,
YOU GOD DAMNED IDIOT!

181
00:12:21,658 --> 00:12:23,825
JUST WAIT TILL YOU
GET HOME, YOU MORON!

182
00:12:46,149 --> 00:12:47,682
HELL WITH IT.

183
00:13:20,866 --> 00:13:21,910
AAH!

184
00:13:21,934 --> 00:13:24,668
SORRY TO STARTLE
YOU, MR. KORMAN.

185
00:13:24,737 --> 00:13:26,270
IT'S YOU!

186
00:13:26,339 --> 00:13:29,207
YOU'RE THE GIRL
FROM THE LAUNDROMAT.

187
00:13:29,276 --> 00:13:31,437
WHAT THE HELL ARE
YOU DOING IN MY CAR?

188
00:13:31,461 --> 00:13:33,778
MY NAME IS LORELEI PHELPS.

189
00:13:33,847 --> 00:13:36,597
I'M A POLICEWOMAN.

190
00:13:36,666 --> 00:13:38,266
WANTED TO TALK
TO YOU IN PRIVATE.

191
00:13:38,334 --> 00:13:40,835
I LOCKED THIS THING.
HOW DID YOU GET IN?

192
00:13:43,506 --> 00:13:44,506
YOU SEEN THE PAPER, JIM?

193
00:13:49,779 --> 00:13:51,762
I WAS THERE.

194
00:13:51,831 --> 00:13:54,098
I SAW THAT THING
WITH MY OWN EYES.

195
00:13:54,167 --> 00:13:56,217
WHAT'S YOUR POINT?

196
00:13:56,285 --> 00:13:58,598
THERE'S BEEN A RASH OF MONSTER
SIGHTINGS IN THE PAST MONTH...

197
00:13:58,622 --> 00:14:00,737
ALL DIFFERENT, ALL HORRIBLE.

198
00:14:00,806 --> 00:14:03,808
THESE ARE POLICE SKETCHES

199
00:14:03,876 --> 00:14:06,243
MADE FROM EYEWITNESS
DESCRIPTIONS.

200
00:14:06,312 --> 00:14:11,298
THESE ARE RECENT <i>TALES FROM THE
CRYPT</i> COMIC BOOKS DRAWN BY YOU.

201
00:14:16,555 --> 00:14:17,688
SEE ANY SIMILARITY?

202
00:14:29,586 --> 00:14:30,930
WHAT DO YOU THINK
THIS ALL MEANS?

203
00:14:30,954 --> 00:14:34,872
WELL, JIM, I THINK
IN SOME CRAZY WAY,

204
00:14:34,941 --> 00:14:36,740
YOUR DRAWINGS
ARE COMING TO LIFE...

205
00:14:36,810 --> 00:14:40,127
JUST POPPING IN FROM
THE TWILIGHT ZONE.

206
00:14:42,665 --> 00:14:45,983
YOU KNOW THAT'S A
REALLY WEIRD IDEA.

207
00:14:46,052 --> 00:14:47,784
I'D LIKE TO TRY A
SIMPLE EXPERIMENT.

208
00:14:47,853 --> 00:14:52,473
IF IT DOESN'T WORK,
I'LL LEAVE YOU ALONE.

209
00:14:56,045 --> 00:14:58,679
OK. WHAT CAN I DO FOR YOU?

210
00:15:01,651 --> 00:15:03,691
JUST DRAW A MONSTER.

211
00:15:05,238 --> 00:15:06,849
SOMETHING REPULSIVE.

212
00:15:06,873 --> 00:15:08,806
COMING UP.

213
00:15:37,186 --> 00:15:40,187
WHAT EXACTLY DO YOU
EXPECT TO HAVE HAPPEN?

214
00:15:42,992 --> 00:15:44,625
WELL...

215
00:15:44,694 --> 00:15:46,126
SOMEHOW...

216
00:15:46,195 --> 00:15:48,529
SOMEWHERE...

217
00:15:48,598 --> 00:15:51,231
OUR NEW FRIEND IS GOING TO MAKE

218
00:15:51,301 --> 00:15:53,021
A SURPRISE GUEST APPEARANCE.

219
00:16:09,852 --> 00:16:12,386
ALL RIGHT... I'M DONE.

220
00:16:12,454 --> 00:16:14,121
AND NOTHING HAPPENED.

221
00:16:14,190 --> 00:16:15,622
SO I GUESS IT DIDN'T WORK.

222
00:16:15,692 --> 00:16:19,544
MAYBE.

223
00:16:19,612 --> 00:16:21,073
MAYBE IT HAPPENED ELSEWHERE.

224
00:16:21,097 --> 00:16:23,408
MAYBE IT HASN'T
BEEN SPOTTED YET.

225
00:16:23,432 --> 00:16:25,933
YEAH. MAYBE. MAYBE.

226
00:16:26,002 --> 00:16:27,668
I THINK I'VE HAD ENOUGH OF THIS.

227
00:16:27,737 --> 00:16:29,436
JIM...

228
00:16:29,506 --> 00:16:31,456
GIVE IT A CHANCE.

229
00:16:31,524 --> 00:16:33,774
ANYTHING'S POSSIBLE.

230
00:16:36,746 --> 00:16:37,794
ANYTHING?

231
00:16:41,935 --> 00:16:44,001
NO. DON'T.

232
00:16:46,372 --> 00:16:47,388
WHY NOT?

233
00:16:50,810 --> 00:16:52,288
BECAUSE I DON'T KNOW
ANYTHING ABOUT YOU,

234
00:16:52,312 --> 00:16:56,213
EXCEPT THAT YOU MAKE
HORRIBLE DRAWINGS.

235
00:16:56,282 --> 00:16:59,082
OK. I TELL YOU WHAT.
I'LL GIVE UP HORROR.

236
00:16:59,151 --> 00:17:01,347
I'M GETTING BURNED
OUT ON IT, ANYWAY.

237
00:17:01,371 --> 00:17:04,405
I'LL DRAW ROMANCE COMICS.

238
00:17:04,473 --> 00:17:08,426
MY DRAWINGS WILL BE
SO CUTE AND CHARMING

239
00:17:08,495 --> 00:17:12,430
THAT MY EDITOR WILL THROW A FIT.

240
00:17:12,498 --> 00:17:17,835
OF COURSE, I MIGHT
NEED SOME... RESEARCH.

241
00:17:45,982 --> 00:17:47,514
I HAVE TO GO.

242
00:17:47,583 --> 00:17:49,083
I'LL CALL YOU.

243
00:17:50,719 --> 00:17:51,799
FOR A DATE?

244
00:17:54,507 --> 00:17:56,473
TO LET YOU KNOW IF ANY
SLIME-FACED MONSTERS

245
00:17:56,543 --> 00:17:58,092
HAVE BEEN TERRORIZING
THE NEIGHBORHOOD.

246
00:18:00,129 --> 00:18:01,962
TELL ME OVER DINNER.

247
00:18:02,031 --> 00:18:04,364
MAYBE.

248
00:18:04,434 --> 00:18:05,999
I'LL CALL YOU.

249
00:18:20,616 --> 00:18:21,849
THANKS, PAL.

250
00:18:42,722 --> 00:18:44,722
ALL CLEAR, MAN. LET'S MOVE OUT.

251
00:18:44,790 --> 00:18:46,068
SAWYER, FASTBALL, COME WITH ME.

252
00:18:46,092 --> 00:18:47,469
CRAIG, TAKE THE SOUTH PLANK.

253
00:18:47,493 --> 00:18:48,759
HEY, BUTCH! HEY, BUTCH!

254
00:18:48,828 --> 00:18:49,760
WHAT IS IT?

255
00:18:49,829 --> 00:18:50,761
WHAT ABOUT ME?

256
00:18:50,830 --> 00:18:51,762
WHAT ABOUT YOU?

257
00:18:51,831 --> 00:18:53,197
CAN I COME WITH YOU?

258
00:18:53,266 --> 00:18:55,244
BEAT IT, 4-EYES! WE'RE
ON A DANGEROUS MISSION!

259
00:18:55,268 --> 00:18:56,334
BUT CAN'T I...

260
00:18:56,402 --> 00:18:57,335
LET'S MOVE OUT, MEN.

261
00:18:57,403 --> 00:18:58,514
Boy: COME ON,
MICHAEL! FOLLOW ME!

262
00:18:58,538 --> 00:18:59,682
Girl: LET'S GO!

263
00:18:59,706 --> 00:19:01,939
WHO NEEDS THEM, ANYWAY?

264
00:19:05,527 --> 00:19:06,838
Butch: STAY TOGETHER, MEN!

265
00:19:23,512 --> 00:19:25,212
BUTCH?

266
00:19:27,249 --> 00:19:29,009
IS SOMEBODY IN THERE?

267
00:19:31,120 --> 00:19:34,288
MOM SAYS YOU SHOULDN'T
PLAY IN THE OLD REFRIGERATORS.

268
00:19:34,357 --> 00:19:37,625
THE DOOR COULD CLOSE,
AND YOU CAN GET STUCK INSIDE.

269
00:19:37,693 --> 00:19:38,693
YOU CAN DIE!

270
00:19:50,205 --> 00:19:52,873
HEY, BUTCH! HEY, GUYS!
COME HERE! COME HERE!

271
00:20:03,585 --> 00:20:05,653
OK, DOUGLAS. WHAT IS IT?

272
00:20:05,721 --> 00:20:06,865
THERE'S SOMEBODY
STUCK INSIDE THERE.

273
00:20:06,889 --> 00:20:08,288
WE GOTTA GET 'EM OUT!

274
00:20:08,357 --> 00:20:10,624
JEEZ, WHAT A TURD BRAIN.

275
00:20:10,693 --> 00:20:12,359
I MEAN IT!

276
00:20:18,150 --> 00:20:20,451
MAYBE IT'S A CREATURE...

277
00:20:20,519 --> 00:20:23,854
YOU KNOW, ALL ICKY AND SLIMY.

278
00:20:23,923 --> 00:20:30,227
DOUGLAS... FEED ME, DOUGLAS.

279
00:20:30,296 --> 00:20:32,262
DOUGLAS...

280
00:20:32,331 --> 00:20:34,898
FEED ME, DOUGLAS...

281
00:20:43,292 --> 00:20:45,125
AAH!

282
00:20:45,194 --> 00:20:46,459
AAH!

283
00:20:50,966 --> 00:20:53,433
REMEMBER! I FOUND HIM!

284
00:21:02,878 --> 00:21:05,079
WHAT'S WRONG WITH YOU, JIM?

285
00:21:05,147 --> 00:21:06,347
YOU'RE BEHIND SCHEDULE

286
00:21:06,415 --> 00:21:08,415
ON<i> BRAIN SUCKERS
FROM THE AMAZON.</i>

287
00:21:12,054 --> 00:21:14,555
"MY HEART YEARNED
FOR HER LIPS, HER ARMS,

288
00:21:14,624 --> 00:21:15,989
HER SATIN SKIN"?

289
00:21:16,058 --> 00:21:18,270
THAT DOESN'T SOUND
LIKE BRAIN SUCKING TO ME.

290
00:21:18,294 --> 00:21:20,644
GUESS I'M IN A ROMANTIC MOOD.

291
00:21:20,713 --> 00:21:23,492
MILDRED LOSE SOME
WEIGHT OR SOMETHING?

292
00:21:23,516 --> 00:21:26,317
IT'S A LONG STORY.

293
00:21:26,385 --> 00:21:27,496
WELL, TELL ME SOME OTHER TIME.

294
00:21:27,520 --> 00:21:28,635
I'M LATE.

295
00:21:28,704 --> 00:21:31,504
MY WIFE'S NOT AS
FORGIVING AS YOURS.

296
00:21:33,026 --> 00:21:34,659
GOOD NIGHT, JIM.

297
00:21:34,727 --> 00:21:35,847
GOOD NIGHT, BOB.

298
00:21:41,451 --> 00:21:43,251
<i>TALES FROM THE
CRYPT.</i> JIM KORMAN.

299
00:21:45,455 --> 00:21:47,455
HI, LORELEI.

300
00:21:47,523 --> 00:21:49,790
HMM?

301
00:21:49,859 --> 00:21:53,694
YEAH. I WAS JUST
THINKING OF YOU, TOO.

302
00:21:53,763 --> 00:21:55,663
UH-HUH.

303
00:21:55,731 --> 00:21:59,232
YOU KNOW, I KNOW THIS
NICE SECLUDED SPOT

304
00:21:59,301 --> 00:22:03,203
JUST DOWN THE STREET.
GREAT VIEW, GREAT FOOD,

305
00:22:03,272 --> 00:22:07,174
SOFT MUSIC.

306
00:22:07,242 --> 00:22:09,977
YEAH. SURE.

307
00:22:10,045 --> 00:22:11,912
JUST COME RIGHT UP.

308
00:22:11,981 --> 00:22:14,448
SEE YOU IN 5.

309
00:22:18,688 --> 00:22:19,820
NICE SECLUDED SPOT, HUH?

310
00:22:19,889 --> 00:22:23,574
MILDRED... HOW LONG HAVE YOU...

311
00:22:23,642 --> 00:22:24,875
LONG ENOUGH, YOU LITTLE CREEP.

312
00:22:24,944 --> 00:22:27,745
YOU'RE GOING TO MEET SOME
PLAYGIRL TRAMP, AREN'T YOU?

313
00:22:27,813 --> 00:22:30,948
OF COURSE NOT, HONEY.

314
00:22:31,017 --> 00:22:35,151
YOU'RE THE ONLY WOMAN
IN THE WORLD FOR ME.

315
00:22:35,220 --> 00:22:37,354
YEAH? AND PIGS HAVE WINGS!

316
00:22:37,423 --> 00:22:39,890
LOOK, YOU WAIT HERE, MISTER.

317
00:22:39,959 --> 00:22:43,493
I'VE GOT A SURPRISE
FOR YOU IN THE CAR.

318
00:22:50,219 --> 00:22:51,318
DAMN IT!

319
00:23:37,649 --> 00:23:38,649
SURPRISE, HONEY.

320
00:23:41,020 --> 00:23:43,486
MILDRED, I... I CAN EXPLAIN.

321
00:23:43,555 --> 00:23:44,666
YEAH?

322
00:23:44,690 --> 00:23:48,608
EXPLAIN IT TO SAINT PETER,
YOU TWO-TIMING TWERP.

323
00:23:50,863 --> 00:23:51,962
WHAT'S THAT?

324
00:23:55,734 --> 00:24:00,271
ME? YOU WERE DRAWING
ME AS A MONSTER?

325
00:24:04,944 --> 00:24:07,310
YOU DON'T UNDERSTAND.
IT'S THESE PILLS!

326
00:24:07,379 --> 00:24:09,813
I TAKE THESE PILLS,
THEN I DRAW SOMETHING.

327
00:24:09,882 --> 00:24:13,002
THEN IF I THINK ABOUT IT HARD
ENOUGH, SOMETHING HAPPENS.

328
00:24:13,052 --> 00:24:14,684
GRR!

329
00:24:17,306 --> 00:24:18,367
WHAT THE HELL IS THAT?

330
00:24:18,391 --> 00:24:20,390
HMPH!

331
00:24:20,459 --> 00:24:24,427
THAT'S YOU... SORT OF.

332
00:24:24,496 --> 00:24:25,723
WELL, THAT'S FLATTERING.

333
00:24:25,747 --> 00:24:27,209
IS THAT HOW YOU PICTURE ME, JIM?

334
00:24:27,233 --> 00:24:28,560
AS A RANCID HEAP OF GARBAGE?

335
00:24:28,584 --> 00:24:30,818
GOD, WHAT AN EYESORE.

336
00:24:30,886 --> 00:24:32,163
WHY DON'T YOU FEED IT A LAXATIVE

337
00:24:32,187 --> 00:24:33,865
AND PUT IT OUT OF ITS MISERY?

338
00:24:33,889 --> 00:24:37,140
TRY SOME SKIN LOTION, ZIT FACE.

339
00:24:37,209 --> 00:24:39,754
YOUR COMPLEXION COULD
SCARE A PROCTOLOGIST.

340
00:24:39,778 --> 00:24:41,211
HUH?

341
00:24:44,082 --> 00:24:46,516
GET OUT OF HERE, YOU
SLIMY, SMELLY PILE OF PUS.

342
00:24:46,585 --> 00:24:48,585
I'LL VENTILATE YOU.

343
00:25:04,654 --> 00:25:06,732
I CAN SEE YOU GUYS HAVE A
LOT OF CATCHING UP TO DO.

344
00:25:15,464 --> 00:25:17,464
HI, JIM. I'M SORRY I'M LATE.

345
00:25:17,533 --> 00:25:19,645
ACTUALLY, YOUR
TIMING IS PERFECT.

346
00:25:19,669 --> 00:25:20,934
THERE WAS A SIGHTING TODAY

347
00:25:21,003 --> 00:25:22,202
REPORTED BY SOME KIDS.

348
00:25:22,271 --> 00:25:24,383
OH, WELL, YOU KNOW HOW KIDS ARE.

349
00:25:24,407 --> 00:25:26,206
NO, BUT YOU DON'T UNDERSTAND...

350
00:25:27,810 --> 00:25:29,410
WHAT'S ALL THE NOISE?

351
00:25:29,478 --> 00:25:31,278
WE'RE REDECORATING.

352
00:25:34,016 --> 00:25:35,882
Mildred: AAH!

353
00:25:53,753 --> 00:25:55,786
SO TELL ME, JIM...

354
00:25:55,855 --> 00:25:58,355
ARE YOU MARRIED?

355
00:26:00,626 --> 00:26:01,746
NOT ANYMORE.

356
00:26:11,737 --> 00:26:15,305
WELL, HOW'S THAT
FOR A SAPPY ENDING?

357
00:26:15,374 --> 00:26:18,808
WAS IT A LITTLE TOO
GRAPHIC FOR YOU?

358
00:26:18,877 --> 00:26:20,755
OH, WELL. NEXT THINK YOU KNOW,

359
00:26:20,779 --> 00:26:26,916
JIM AND HIS NEW GAL PAL WILL BE
WALKING DOWN THE EASEL TOGETHER.

360
00:26:26,985 --> 00:26:28,051
I GUESS HE LEARNED

361
00:26:28,120 --> 00:26:30,954
THAT LIFE IMITATES
ART AFTER ALL.

362
00:26:31,023 --> 00:26:32,922
AS FOR POOR MILDRED,

363
00:26:32,991 --> 00:26:36,360
SHE LEARNED THAT
DEATH IMITATES ART, TOO.

364
00:26:36,428 --> 00:26:38,562
MAYBE IF SHE'D
BEEN NICER TO HIM,

365
00:26:38,631 --> 00:26:41,498
SHE WOULDN'T HAVE
ENDED UP A MONSTERPIECE.

366
00:26:44,670 --> 00:26:47,604
CAPTIONING MADE
POSSIBLE BY WARNER BROS.

367
00:26:47,673 --> 00:26:50,753
CAPTIONING PERFORMED BY THE
NATIONAL CAPTIONING INSTITUTE, INC.